David Green

David Green (Books) is the imprint under which I published booklets of my own poems. The original allocation of ISBN numbers is used up now, though. The 'Collected Poems' are now available as a pdf. The website is now what it has become, often more about music than books and not so often about poems. It will be about whatever suggests itself.

Sunday, 7 January 2024

Beasley Street Remembered

 The columnists in the Saturday Times are like old friends. They are always there, you've become accustomed to them but they mostly say the same thing and you don't always have to listen. I can talk. This website kicked off, replacing the previous one, in January 2009. And a lot of it is the same old stuff. Even saying that a lot of it is the same old stuff is now part of the same old stuff.
Giles Coren has outlived his contrary purpose, Matthew Parris continues to deliver good sense, Robert Crampton is the most repetitive but Caitlin Moran remains worth a look. We saw her once in Trafalgar Square. She noticed us noticing her but it was hardly her fault if she wasn't sufficiently up on the Portsmouth poetry scene to know who I am. There's only one thing better than being famous and that's not being famous.
But poor young Caitlin has got rats in her house. It's precious little comfort to find people worse off than oneself. The refurbishment of my glorious 'blue room' here solved the mouse problem by sealing off the places they got in through but they can still be seen in the kitchen sometimes. However, they now seem more like a blessing than an affliction when the sort of house a Times columnist can afford has it so much worse. It reminds me of Beasley Street, part of John Cooper-Clarke's vision of slum Britain in which the rats were as big as cats but perhaps it's no longer a dystopia, it is here and now.
 
Only very tangentially related are thoughts related to the Post Office scandal, only now being looked at properly because it's been a TV drama. Is that how governments find out about things now. I would by no means suggest that anything I suffered in any such institution is in anyway comparable but I had been thinking of making a list of resentments a while ago and now would be a good time to consider which of them to take legal action over.
Certainly school wasn't as good as it claimed to be. Some of the teaching, most memorably in Chemistry but in A level History and certain teachers in French, Latin and Art - not that that mattered much- was pitiful but by far my biggest claim for compensation would be for the two or three years of compulsory rugby union. Not all of us feeling like brawling for brawling's sake. I was a talented footballer and did much of it by instinct and those instincts told me that rugby consists of handball, handball, foul, foul, throw in, over the bar. I was a fool to myself, though. We were expected to try and so I did. I'd have done better if I'd been deliberately useless at it. I still don't entirely understand it but don't have to. It's taken them fifty years to realize it's dangerous.
In work I spent a few years working for the retail industry's answer to Mr. Bean whose sole purpose was his own financial gain. There must be easier ways of achieving that than opening a chain of High Street shops but maybe it's okay if badly treated staff do all the hard bits for you and, as one middle aged manager, beleaguered in his dead-end branch, told me, it was all run on fear. That is no way to live.
But bigger organisations need frameworks, ways of working and a system. I am eternally grateful for the 34 years I had but traumas come flooding back now in retirement. Pacesetter will suffice as a paragon example, presented as a great new reform, a new Jerusalem, it's snappy name appearing to imply it was go-ahead, no nonsense and aspirational whereas the pace it set was glacially slow, overburdened with more, not less, administration and like a Soviet thing, replaced the actual job by making observance of its heavy-handed processes the over-riding priority.
But enough's enough. Both of it then and brooding on it now.
-- 
All that is over and one can spend more time with one's books, like Holding On Upside Down, the Life and Work of Marianne Moore by Linda Leavell. Exactly the sort of thing one wants to know about, not least a key to understanding this austere poet's work.
Oh, I see. Her overly close relationship with her mother led her to write about free, natural animals in the wild that perhaps aren't as free as they'd like. And, mother, what a mother, she surely wore them out, her children. The brother was told he should refer all letters from his girlfriends to her for vetting.
Stay tuned for more Moore.  
 
On such territory, C20th, my little effort on the English language poetry on the period will have a chapter on America in it, after T.S. Eliot. I don't think can be left without acknowledging Wallace Stevens, William Carlos Williams and Robert Frost. The ladies were already in place with reference to the superstar, Elizabeth Bishop, but despite some lack of enthusiasm for them, I think the men should get a mention.
Which reminds me of a complaint against the Victorian Literature course at university and having to write an essay on Vanity Fair. And the 'correctness' as it was then of the Intentional Fallacy, the waste of time that our allocated professor made of Elizabethan Lit seminars and the outrageousness of how little input it took to achieve a 2:1 at the taxpayers expense.
Look where such standards led us. 

Perhaps it's best to look forward, not back. Chichester Cathedral lunchtimes recommence next week, We plan to be at Newbury the week after. There's a gathering of Rosemary Tonks devotees in Soho in February and later on a couple of Menuhin Room concerts brought at least in part about by me so they will be great. There isn't really anything for me to complain about.

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