That Will Be England Gone

It's always worth listening to recommendations or what other people are reading. If it sounds good, one's hit rate is likely to be more than one title that suits for each one that doesn't. One such thing is certainly That Will Be England Gone by Michael Henderson. Ostensibly a book about cricket, it extends into other preoccupations of the author's and, being of the same age as him, they overlap with mine without being a perfect fit.

The setting is the 2019 cricket season but the perspective is much longer, referring back to Neville Cardus and John Arlott as commentators and bringing in almost any of the great players one can think of as well as some less great. With the book's title and each chapter's coming from Larkin, one would anticipate a lament for a world Going, Going if not already gone. By the time one achieves a certain age, one is likely to prefer things how they used to be rather than the way they are going. Henderson is no fan of the T20 or the Hundred that was due when the book was written. We prefer the things we decided we liked when we first found them, not how commercial strategies have shaped them since. Very much the same applies to pop music- maybe all music, television, film and nearly everything.

Beyond Trent Bridge, Basil D'Oliviera, Mike Proctor and Fred Trueman, Henderson has loving things to say about Bach, Beethoven, Auden, Ken Dodd and an England that there was even if it wasn't quite as idyllic as any edited version of it our selective memories might want to provide.

Like a Larkin adherent ought to be, Henderson is 'less deceived'. While not entirely defending Bernard Manning, he cites an appearance on Parkinson on which Esther Rantzen said that 'anybody could tell a dirty joke' to which he replied, 'All right, let's hear you.' Other undermining of received opinion is in a few paragraphs questioning John Lennon and his Working Class Hero status, a record that by now is surely impossible to hear without taking it to be ironic, like Imagine. But for me Henderson exceeds himself in his summation of Schubert,

Yet for all his anguish, there is no anger. For all the joy there is no affirmation...In Schubert's music everything is provisional, an emotional state that reflects more truthfully the balance of our own imperfect lives.

That is what I wish I'd said when blundering into saying I never felt Schubert was down-hearted but I'm not a good enough writer to put anything so subtle into words. When reading a book like this, as so many times before, I'm tempted to think I could do something comparable but over and above the realization that, no, I couldn't, come brilliant things like that. Never mind the informed detail that, whether he researched it or knew it already, Henderson pads out his text with material that isn't padding at all.

He includes Test Match Special in his litany of fings that ain't what they used to be, which is ungenerous. He has mentioned in passing how F.S. Trueman's mask became part of his face in the role of plain-speaking Yorkshireman and it was he, during test matches, who chronically 'didn't know what was going on out there'. Well, get us a commentator who does, then. Trevor Bailey was taciturn and Blowers another caricature so the current team involving Aggers, Tufnell, Cookie and Vaughan are not as unacceptable as is argued here. 

But we are all conservatives now. Henderson might be a more or less acceptable Conservative, his main jobs having been with the Daily Telegraph and Daily Mail but he's been in the more liberal press, too. The Golden Age isn't coming back and one day people who are young and impressionable now will look back on the 2020's with the same feelings of loss and regret as Henderson, I and others perceive the 1970's. Except my mother's Best Notts XI featured Reg Simpson and Walter Keeton rather than Hadlee, Rice and maybe not even Sobers.

It's a book that can make its proper reader laugh out loud and also feel like crying but time and its effects are its underlying theme, as it is in so much of the literature that is brought in to such good effect. Researching what other books Michael Henderson has published, there's only the previous title, 50 People Who Fouled Up Football, that must be out of date by now being pre-Infantino and, one might guess, more about money than time.   

Orwell, Auden

One comes away from D.J. Taylor's Orwell biography well-informed but probably knowing less what to think of the man than before. To call someone a 'complex character' is often to cover a multitude of things one would rather not say but with Orwell, he's perhaps a complex character. I'm not entirely convinced by the socialism but these days I'm not entirely convinced by socialism anyway. And the idea of 'secular saint' would be overshadowed by the knowledge of what some saints were really like. Being austere might qualify him as such but it's not what the phrase is meant to imply.

But he got shot through the throat for his efforts and was apparently almost manically devoted to his writing so he deserves some sympathy. All but disowning his early novels, which are fine, the great success of Nineteen Eighty-Four might be some way ahead of what it deserves except for its brilliant insights into totalitarianism. I'd long thought of him as not a difficult writer but his life reveals quite a difficult man.

--

I'm never much of one for the poetry workshop. Any editing process is a private thing and unshareable, being personal to oneself, and I'd much rather wait for the poem to be ready to be written before trying to write it when it is then more likely to write itself.

But the Auden poem was presenting difficulties in lines 5-8. I sat outside for some time trying various options but it seemed never to be satisfactory until the bright idea of leaving them out. It's always an idea and I think it worked. I'm happy with this now. Best thing I've done since the last booklet- which isn't saying much- but possibly a candidate to go on the highly selective Collected list which now extends to 27 poems.

 
 

Auden 

The cigarette he sucks is surrogate
for something more than likely sexual,
the eyes can summarize a likely mate
like something due to be intertextual.

The lines that might look careworn are in fact
a rare affliction or a gift that came
to him as queerly as a lovers’ pact
that turned out, as can be the case, the same

as everyone else’s do – electric
at first but too soon too habitual
to seem more than the sort of magic trick
that might or might not happen to us all. 

 

Fifteen Poems

 So, having idly wondered about my own poems the other day, what better inconsequential thing to do of a Sunday afternoon, while Lulu plays her Sounds of the 70's, than pick over them. Not pick over them as much as see what there were. One can forget. What little time spent reading poems these days is not spent on my own.

I looked through the booklets and, with strictness aforethought, noted those certain for any short list onto a spreadsheet. I ended up with fifteen titles which is a frugal Selected, not the selective Collected I had in mind. Then, to put them in order, I played Devil Take the Hindmost and worked up from no. 15 as the game intensified.

It was in hindsight a game that was designed for Rainyday Woman to win because that is foremost in my thoughts. I'm the last person who ought to be picking such a list but I wouldn't expect anybody else to do it and there are precious few I could trust not to miss the point.

A further session would be needed to extend the list to the 30-40 that might constitute the selective Collected but it's a job that's never quite over, one's preferences in any such list varying almost from day to day. 

It was worth doing, not just the process of doing the list but the little look at what I ever produced in this esoteric endeavour. I'd be the first to allow I have much to be modest about but poems, in a mostly underachieving sort of life, were one of the few things I sometimes wasn't bad at. I'm glad that the list is dominated by later titles. A proper artist improves with time rather than begins well and proves unable to follow up. I'm not ashamed to be the author of,

Rainyday Woman

Fiction

Windy Miller

The Cathedrals of Liverpool

Piccadilly Dusk

Cygnus

Herbstregen

Starý židovský Hřbitov

Tycho Brahe at Uraniborg

Romanticism

Success

Situation

Summer

Kiss

Move Over, Darling

 

Pilgrimage

 I try to make a point of visiting the grave of Rosemary Tonks each summer. Today it provided a good reason to get out of the house. Bus to Emsworth, pleasant walk back to Warblington. Especially good to look upon some water, salty and probably polluted though it may be. The wireless said it's not going to rain until Autumn. Proper communing with oneself, the lines of Rainyday Woman inappropriately revolving in my head as what began as a modest little lyric takes on greater proportions and significance and, unforgivebly self-absorbed, I wonder whether to put my own poems into an order of perceived merit to see how high it stands. And to see where the cut-off point comes where the Selected Poems would reach down to. I'd call it Collected but it would be quite strictly chosen. Which poem would be the unluckiest of all and be the first not to get in. 

The idea of an autobiographical note would be even more vain for a poet of my uncelebrated status. Thom Gunn did such a thing because he thought somebody else would do it if he didn't. And then, many years later, somebody did - in great detail probably far beyond what Gunn had thought likely. But the great advantage of not being noteworthy is that such a thing is not required. As far as the poems go, it's just the poems. If I wanted somebody to study me I'd go to a psychiatrist.

--

It was Orwell who wrote that writers are 'vain, selfish and lazy' and there is something akin to Larkin in his English austerity. Both socially out of their depth at Eton and Oxford respectively, their writing has a candour that doesn't always equate to honesty but it's writing so there's no need for it to be entirely honest.

I think one of the big issues with Orwell is the Socialism. He has traces of the anti-semitism that have more recently been found alongside such ideology and he has snobbery which may or may not be an unfortunate bi-product of the sort of elitism that values worthwhile work. His involvement with the poor looks laudable on the surface but may contain a sort of fetishism. To his credit, like Auden, he was committed enough to the cause to go to Spain in the 1930's but the big umbrella term, Socialism, covers a lot of ground. Keir Starmer and Arthur Scargill both expressed themselves as such. It is clearly well-meant thing but it appears in many forms. 

My first experience of it was really how, at election time, council estates would have Labour posters proliferating whereas 'better' areas would be Conservative. Oh, how I wished that they would all listen in church or in assembly at school and the well-off would vote Labour to help the less well-off and the disadvantaged would stoically accept their lot, be embarrassed to vote for help and do something about improving their position if they wished to.

Not Conservative was, and remains, the obvious thing one must be to be righteous but then one went to university and witnessed the righteousness of the left first-hand and was put off all those beloved fragments of Bolshevism almost for life. 

It's not an easy course to navigate, one's way through Socialism even if one instinctively think it is right. I will continue to follow Orwell's particular difficulties with it, in D.J. Taylor's account, always aware that about fifty years ago, I noted in the special book of quotes I kept that it says in Keep the Aspidistra Flying,

Every intelligent boy of sixteen is a Socialist. At that age one does not see the hook sticking out of the rather stodgy bait.  

 

They are tremendous books of quotes - Shakespeare, Joyce, Roger McGough, Carole King, Bob Dylan, The Beano and more. It is now that one appreciates not having thrown such things away. 

Romsey Abbey

 I got lucky only two nights before the event, finding that Angelina Kopyrina was playing in Romsey Abbey today.  An ideal day out at this sparse time of year. By now it goes without saying that the familiar Bach-Busoni Chaconne and Rach Sonata no. 1 are tremendous, especially played by her but at least until her next new repertoire, I've said all I can think of to say. But I can review Romsey, not to my knowledge having been there before.

There lots to like about it. In the relaxed centre was someone wearing a Gustav Mahler t-shirt. As I went into the Oxfam bookshop, Celebrate Summer by T. Rex was playing. The abbey is relatively modest but provides a spacious concert space in its nave. Following my recent reading of Catherine Nixey's account of how Christianity came to rule so much of the world, I was interested to see John Chrysotom featured in a stained glass window. Perhaps, though, its main claim to fame is the grave of Lord Mountbatten.

There's more to such buildings than grandeur although all the interior is grander than outward appearances seem to promise. Whether it was due to Angelina or not, Romsey rustles up a good-sized audience and, travel being not significantly more onerous than Chichester, I might be monitoring what goes on there in future.  

 Not necessarily a place 'proper to grow wise in' but Larkin doesn't say that such places are. He says 'someone...once heard' it was. It's always a good idea to deflect such thoughts onto somebody else even if one needs to invent an anonymous fictional character to deflect it on to. And I'm not convinced that the likes of Ethelflaeda, the first abbess, in the C10th are good people to be admired without question but they are  exotic and have been dead a long time and that gives them a strange glamour.

The Library Tour

 If it's not quite the Bodleian, I'm quite satisfied with my library. Not for the first time I conducted a short guided tour for a guest the other day. He liked it a lot, the way it takes over the whole house. I wonder how far it is to a bigger collection of poetry books. It could conceivably be only a couple of hundred yards round the corner to where Tony lives, though.

This latest tour was all too brief as I was careful not to want to bore my visitor with arcane collector's items but now I keep seeing things and wishing I'd shown him them.

The great thing for me, living among them, is that my tour is not a matter of being shown things as exhibits but re-reading them. I've not bought a new book for some time because I've not seen anything listed that demands reading so I make use of the stock. There would be no point in keeping them if I didn't do that. If books are great value to read them once they become of infinite value when one can read them, or refer to them, any amount of times from thereon in. How much does it cost to go to a cinema to see a film once? I don't know. It must be twenty years since I've been.

Revisiting Catherine Nixey's The Darkening Age followed on from A.N. Wilson's Jesus in going back over what might be closer to the truth about Christianity after all the upbringing and being surrounded by its culture that is so inculcated in us that we find it hard to dispel. One can suspect Catherine of zealotry as much as I suspect myself in her compilation of evidence against the rise of this vast aberration but it is the idea of 'gentle Jesus meek and mild' that is in the way of taking her point. One only wants to approach her work with the same scepticism that one considers the religion because even if she is preaching, as it were, to the unconverted, I'm not looking to have my prejudices confirmed, only for lesser known evidence in my favour.

John Chrysotom, the savage preacher, and Shenoute, the gaunt ascetic, are two heroes of the book, so crazy in their devotions one might call them 'hell-bent'. Catherine re-diagnoses the extreme devotions of early monks in modern terms as 'depressive' rather than pious. And the story in the end is really about how Christianity replaced Classical culture no less effectively than Greek and Roman culture had come to dominate Europe, systematically wiping out a huge percentage of its writing and art in the process.

--

And so, the next book to catch the eye was D.J. Taylor's 2004 biography of George Orwell.

While the essays might have been unchallenging to do for 'A' level nearly fifty years ago when we could more usefully have done Yeats, he is not quite so easily pinned-down on any political spectrum that is left between left and right. He didn't try very hard at Eton, served hos own interests and possibly could, being there on a scholarship with his parents, who couldn't have anyway, not paying fees. For all that we might have thought of Orwell as leftist but anti-Soviet, he makes for a mix of class distinctions and serious doubts about the limitations of socialism, which we always knew. I just wonder where his sympathies would lie now and I honestly don't know. 

Hereward the Wake

 Hereward the Wake is an unlikely hero of mine, not so much for his rearguard action against the Norman conquest in the area of Ely but for the filthy steam engine we used to see going under Perry Road bridge in the 1960's, pulling the fish train from Grimsby.

But now I identify with him in a more significant way. I, too, stood for as long as I could against the inevitable and had to give in eventually. There have been a few occasions on which

I might have benefitted from having a mobile phone but I liked not having one. Time moves on, though, and eventually one is revealed as being wilfully difficult by not having such a device and however much one reasons that we got by somehow without them in 1971, they have become all but compulsory. So now I have the simplest such thing one can buy and even that has a camera on it.

I had expected a difficult afternoon setting it up, not the 3 easy steps it blithely lists on the wholly inadequate leaflet provided. Whereas such instructions might be easy for those with a certain level of tech savvy, for me it was the equivalent of them being told to simply translate a few basic sentences into Latin. Two hours went by and I was locked into an inescapable circle of getting nowhere so I went by bus and foot to the nearest Tesco Mobile place where the helpful bloke fixed me up with all I need at no great expense.

I'd give you the number here so you could ring me up but I'm not in love with it and don't want to encourage it. Who would have thought that such an admittedly cheap and ingenious little thing would so soon be one of the Bare Necessities. I don't want to be the sort of person for who it is but, once in a while, it seems like I am.

I have admitted defeat with as much good grace as I could summon up. I take more pride in how long I held out, determinedly if not quite as fiercesomely as Hereward. 

Pride isn't it, though. I'm deep into a second reading of Catherine Nixey's The Darkening Age that convinces anybody who wants to be convinced what bad things Christianity did in achieving the status that it in due course did but at least they had pride on their list of deadly sins. It's a similar orthodoxy I've been so unwillingly, if less violently, pressed into. Some of us are not naturally inclined to do what everybody else does.

It's a long time now since Danny Baker said on the wireless that it was him, Frank Skinner and some other celeb that got by without mobile phones. I think they might not have lasted as long as I did. And Prof. Terry Eagleton, the doyen of Marxist Literary Theory, didn't even do e-mail. I was in sympathy with them, whose books I have, whose work I enjoyed. I will still be reading books on the train rather than gazing at this debilitating accoutrement.

It might be a while before it seems to me that texting you is the appropriate way of making contact. I don't mind at all arriving at an age old enough to not want to understand how younger people get by. I'm happy to have understood T. Rex and David Bowie when generations before me didn't.