During the Late and Long Continuing Cold, An Eightieth-Birthday tribute to Peter Didsbury, edited by Sean O'Brien and David Wheatley (Broken Sleep Books).
Peter Didsbury has long been a central figure in the story of how Hull became an unlikely-sounding epicentre of British poetry in recent decades, post-Larkin, post-Stevie Smith and a long time post-Andrew Marvell. If Larkin's provincial hideout in its university library began something there and attracted Andrew Motion, it is perhaps more properly Douglas Dunn who might be regarded as the godfather of its mafiosi although 'movement' might be a gentler term for what could be regarded as a more coherent grouping than The Movement ever was.
It would surely be improper to submit the sort of poem one might place in the middle of a book to thicken it up, or for the editors to include such things, in a tribute to a respected writer and that hasn't happened. I must look further than I previously have into the work of Carol Rumens on the evidence of The Sense of Vision. If Paterson's Hedgehog appears to begin like Aesop, it becomes more like Einstein. If, as I sometimes suspect, we are not living in a Golden Age of British Poetry then the ongoing parade of talent now assembled here is evidence that it's not so bad after all. And there's little for poetry to fear from AI when O'Brien puts in a signature performance in The Lost Language of Trains that only he could have.
Didsbury is inimitable and I don't think anybody has dared to try. It would have been unwise. What has resulted is a profound tribute to one who has always done it his own way from a litany of admirers doing it theirs.
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