David Green

David Green (Books) is the imprint under which I publish booklets of my own poems, or did. The 'Collected Poems' are now available as a pdf. The website is now what it has become. It keeps me out of more trouble than it gets me into. I hope you find at least some of it worthwhile.

Friday, 27 November 2015

Oh, Babe, What Would You Say

There is a shop nearby the railway station not far from where I work that sells the TLS surprisingly among its otherwise barren fare. I saw Socialist Worker in there, too, today - one doesn't see that everywhere these days. I bought the sole copy TLS in order to justify them selling it but if I take up the trial offer of 12 copies for 12 quid then that could take the last trace of highbrow culture off Cosham High Street when that place finally stops selling it or closes down from that crucial loss of custom. It would be cruel.
But in among all sorts of Books of the Year recommendations from intellectuals so esoteric that not even their own families might have heard of them is the Cambridge University Press advert including mention of The Shakespeare Circle ed. Edmondson and Wells, adding or imagining yet more Shakespeare biography from the lives of his contemporatries and associates. Out since October and I didn't know. That's why perhaps these days only the TLS will do. The Beano is good but it doesn't have quite the same coverage of the publishing industry. So, Bang. That's that on order and Christmas reading sorted to go alongside my writing of the introduction to the Portsmouth Poetry Society's meeting on Rosemary Tonks and, by then, perhaps also being in a position to see if I have anything passable to write about George Eliot. I really ought to spend some time with my long-suffering family during Christmas, too, rather than use the holiday as a retreat, only appearing for meals or when there are presents to open, like possibly the book of Larkin's photography and a set of Buster Keaton DVD's.
But, among the welter of Books of the Year, Paul Muldoon says of Shapiro's 1606,
It's a work of genius.
But surely it's overstating the case to say it has 'at least one major revelation per page'. In a book of 406 pages of text, can 406 revelations all be 'major'.
But, of course, Muldoon is a poet and I remember a seminar in my first year at University that seemed to be teaching us that poetry was all hyperbole. I sat there for the hour with the growing suspicion that there must be more to it than that. And, of course, since then I have found out that there is metaphor and alliteration as well.
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I thought I'd be reviewing Morton Feldman's music for the Rothko Chapel tonight when I found a new arrival in the post. Always an exciting event., however often it happens. But it's Kate Miller's book The Observances, recently described as the more adventurous choice on the Costa Prize shortlist, so I thought I'll show 'em how front line and open I can be, I'll get one of them. But one can't review a poetry book while reading it for the first time, pouring Chardonnay down oneself on a Friday night, in the same way that one can (or I do) say what you knew you were going to say anyway about a new disc as you listen to it.
So, coming soon, reviews of music about Rothko and poetry by Kate Miller.
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Meanwhile, calamity upon calamity as Paddy Power remorselessly retrieves all the money he's lent me over the year. A 2/1 winner out of three selections is stalemate between punter and bookie at level stakes but today unfortunately the winner was the one that augmented the treble and the two best bets today fell when beaten and came second respectively. The bookmaker only ever lends money to the mug punter and he knows that. The mug punter secretly knows he will lose in the end but lives for those days when his horse looms up outside the leader coming to the last fence, outjumps him and canters off with the winnings. Suddenly those crazy days of summer, picking winners for fun, for small stakes but sauntering to an all-time high profit-level, seem a very long time ago.
The best recommendations for the favourites in tomorrow's Hennessy Gold Cup and Fighting Fifth Hurdle, Saphir du Rheu and Wicklow Brave, is that I don't fancy either of them at all. So there's a double for you that should pay 16/1. But, away from the crucible of high pressure tipstering that is the Saturday Nap, I might do the latest, last remaining few quid in my account on The Young Master in the Hennessy.
Paddy's website has introduced this crowing little reminder when one logs in that says, 'your account is running low, do you want to top it up' which is not as helpful as I'm sure they want to pretend it is.
No, Paddy, I don't. I'll decide when I want to do that. Did I accompany all the bets I placed in August with a message that said, 'ha, ha, you daft bookie, you are paying for my drinks these days. No, I didn't. So let's have a bit of decorum while you take me back to the cleaners.

Sport. I ask you. What was ever the point of it.