David Green

David Green (Books) is the imprint under which I published booklets of my own poems. The original allocation of ISBN numbers is used up now, though. The 'Collected Poems' are now available as a pdf. The website is now what it has become, often more about music than books and not so often about poems. It will be about whatever suggests itself.

Monday, 31 October 2011

The Poetry Premiership



So, is Jo Shapcott Fulham in disguise. If you see what I mean.

With apologies for the infantile preoccupation with list-making, which I do realize isn't the point, I have been wondering for a while which twenty living British poets would constitute the Poetry Premiership.

There will be some who would be disappointed not to be considered a part of it and legions of supporters of others who would claim their heroine or hero is deserving of a place. Well, what I've tried to do here is judge their standing in critical and public esteem as well as lifetime achievement and not pick my own top 20. I'd be delighted to hear suggestions from anyone for amendments but however many names you suggest for inclusion, I do ask that you nominate the same number to be removed from my list.

I might have missed someone completely but this does come from a long list of about 70. They are in some approximation of league positions and so I'd expect more debate about the lower half of the table rather than the top few who, I imagine, are firmly established as Premiership in status.

Do let me know. I am looking for some sort of consensus rather than a controversial blood-letting.

There is a semi-scientific way of working it out without counting prizes, book sales and column inches of coverage in magazines and journals. At any poetry reading, one can usually tell that the biggest name comes on last. We all implicitly sort of know that. It isn't quite headliner plus support acts but it does usually amount to the biggest reputation being the climax of the event with the other names in descending order from there.

One often sees a poet, artist, musician or suchlike described as 'one of the leading' exponents of their art. But this is easy and lazy praise to attribute to anyone unless we know who else is also in the elite group and, more importantly sometimes, who isn't. So, let's see. We can only have twenty. Let me know who else should be in and thus also who left out.


Seamus Heaney
Paul Muldoon
Geoffrey Hill
Tony Harrison
Don Paterson
Sean O'Brien
James Fenton
Derek Mahon
Simon Armitage
David Harsent
Colette Bryce
John Burnside
Carol Ann Duffy
Lachlan MacKinnon
Alice Oswald
Jo Shapcott
Ian Duhig
Roddy Lumsden
Andrew Motion
Michael Longley

And I am aware I've left out Douglas Dunn, Glyn Maxwell, Ruth Padel, Craig Raine, Anne Stevenson, Paul Durcan, Robin Robertson, Ciaran Carson, Kathleen Jamie and many more, which can only show what a competitive league the Championship is these days.

Please let me know your thoughts.

Saturday, 29 October 2011

Top 6 - Violin Concertos






One of the highlights of the summer was Lisa Batiashvili, pictured, playing the Shostakovich Violin Concerto at the Proms, so scintillating that the spirit and atmosphere came out of the radio in a way I'd hardly ever experienced before. She was neither a musician I'd heard of before and neither was the piece although I've long stopped being surprised by the variety and greatness of the Shostakovich oeuvre.


But I spent a few quid and a few hours exploring the violin concerto repertoire in somewhat more depth than I so far knew. In the end, it might not have added much to a top 6 as it would have been before and eventually one can tire of yet another virtuoso bravura performance of yet more flamboyance, but it's a rich and rewarding genre if taken in the right quantities.


The Bach Double Concerto would be a certainty for almost any list but in this glorious performance, it is reserved for top place, with Oistrakh and Menuhin providing a paragon example of everything a performance should be from a more demure age. http://www.youtube.com/watch?v=CmmpjziKcFU&feature=related


Tasmin's performance of the Beethoven in Portsmouth Cathedral a couple of years ago would secure another giant of orchestral music a guaranteed place. For some reason, I don't know if it's his portrait or reputation, but Beethoven is never as dark and foreboding as one thinks he might be. Fidelio, the Late Quartets, Missa Solemnis, etc. all turn out to be much easier going than one thought they would be and the Violin Concerto is perfectly charismatic.


Although I'm supposed to be picking concertos rather than performances, Henning Kraggerud's passionate account of the Tchaikovsky at last year's Prom gets it in ahead of several other deserving cases as the long list is ominously too long for the dwindling number of places that remain.


And so with Tasmin's recording of the Sibelius coming in, for me, just ahead the other recordings I have by her, I'm left with only room for a personal soft spot for the much under-rated Mendelssohn, it always seems to me, who is a tremendous composer seemingly overshadowed by too many other Romantic nineteenth-century masters and I'm having his haunting opening over and above a few other very persuasive claims and some big names who, to be honest, didn't make quite as much of a case as I'd expected.


The Saturday Nap Week 2





Customary tactics for me in selecting horses for investment involve choosing the right sort of race. That is, not handicaps which are so often bookmaker's benefits. Novice hurdles are my favourite.
I certainly couldn't get involved in the Charlie Hall Chase at Wetherby which will be one to watch and the most straightforward race of the day might be Wetherby's 2.15.
However, I am persuaded by the claims of Muirhead in Ascot's 3.40 and, with it being available at at least 6/1 at present, we can do it each way to try to insure our unbeaten record.

Thursday, 27 October 2011

The Friday Nap

Just in case there's not a better option on Saturday.

It has to be noted that even though Ruby Walsh has said he will be reducing his appearances in England after the new rules on whip use, he is riding at Wetherby tomorrow and has only one ride booked.

This is Fistral Beach in the 3.20.

These top jockeys don't travel all that way for one ride unless they think it has a good chance. In fact, a top jockey with one ride at a meeting is one of the biggest ticks a horse can have against its name on my card.
But also bearing in mind that Ruby went to Fontwell for a Paul Nicholls trained horse last week, and finished second on it.

Still, I'm on. The 9/2 currently indicated on the Racing Post website would be lovely. And this website will continue to feature books and poetry, as before, just as soon as it can.

Saturday, 22 October 2011

The Saturday Nap Week 1

The money for Camelot in the Racing Post Trophy is persuasive and the sort of thing that often persuades me but the effect of it has been to push the other horses who have accomplished more so far out to bigger prices so I'm not getting involved with what might be a false favourite there.


Chepstow's meeting has some interesting races with big stables bringing what might be some bright prospects for early season skirmishes. One notes Tim Vaughan's winners yesterday and that Paul Nicholls would usually start running up multiple winners at this stage of the year but Fingal Bay, Chepstow 3.40, from Philip Hobbs, might be a different class and offers better odds of reward than the Nicholls trained favourites in the first two races so if there's still 5/2 available on Fingal Bay, let's get on.

Friday, 21 October 2011

View from the Boundary

The world seems to have been wobbling on a precipice for months now, the global financial meltdown that is just about to happen and has been just about to happen for what is beginning to feel like forever. If you've got a job you're still okay and if your retirement is tidily all wrapped up then no worries but once the whole edifice of world capitalism collapses, then who can say.
Capitalism depends on boom and bust, the regular clear out of failed efforts. It is fuelled by borrowing and debt but they are supposed to last forever except they need to. But the new angle now is that it's China that has all the money. We didn't see that one coming.
It couldn't have been only me that knew that Greece wouldn't meet the repayments on its bail out and yet the markets went into a further tailspin when they realized it wouldn't. I only wish I understood it all well enough to have bet on that. Those in Britain who argued that we should stay out of the Euro were mostly right for the wrong reasons. It wasn't because we fought wars to keep the Queen's head on our currency and don't want our money to be the same as what they use in Italy. But it was a sound decision anyway.
The Conservative argument, under George Osborne, who looks like he clearly can't comprehend what it's like to not be a millionaire, was that the entrepreneureal spirit will create enough jobs to take up all the public service redundancies. But it's not a matter of if or when, it's simply not going to happen. They are as flotsam and jetsam blown about on the tides of world trends and there's nothing they can do about it. His job is just to defend the well off against the inevitable for as long as he can. The permanent look of bemusement on his face is just as worrying as Blair's old Bambi impersonation ever was.
The trouble is that there's no such thing as Economics. It ought to be abolished as a University subject and put into that dubious range of issues like Astrology, Palmistry, Creative Writing or Origami. Economics is no more than getting oneself down to the dog track and sticking it all on trap one except, of course, our dog track in Portsmouth closed some time ago now.
So, let's see if we can't fiddle our way ahead of the withdrawing tide by having a feature called the Saturday nap in which I'll scrutinize the horse racing of a Saturday morning and look where we might put our precious cash. The tip will be posted here by lunchtime and if we're not doing okay by Christmas, we'll admit defeat. The first half of the jumping season is often a good time to bet in my experience and I wish we'd started last week when Ongenstown Lad strolled in at Cheltenham at 5/2. I'm looking at Camelot on the flat at Doncaster tomorrow, who has been well backed in the week, but we'll see about that in the morning.
-But, Sport, otherwise. Who'd have it. Wales were denied their place as beaten finalists in the Rugby World Cup when their captain tried to drill an opponent head first into the ground and, although to much disgruntlement, quite rightly so. Rugby doesn't seem to have many rules and fails as a game because you can't really make up rules for a boisterous scrap between burly, beery men. But then last night, Fulham's prospects of getting through their Europa Cup group were left largely unaffected by the sending off of Dembele who no more than pushed a provactive opponent on the shoulder, who then collapsed as if he'd been shot. So I'm not sure if Rugby's a game played by real men and football by overpaid poseurs but I think the biggest problem with sport might be taking it seriously and the only way to make it matter, if you need it to, is to bet on it.
-Still looking through Lumsden's Best Poetry of 2011 anthology, I'm taking note of Judy Brown's fine poem in there and have ordered her forthcoming collection Loudness. I have high hopes of it on the early evidence and the poetry year is by no means over yet.
-Whereas, somewhat more controversially, I found myself calling last week's reading at Cheltenham a 'Premiership' event and so wondered exactly which twenty British poets would constitute the Premiership. There's no point allowing lazy journalism that says things like ' Smith is one of the top such and such in Britain' unless the writer can say who else is and who in fact isn't. So, one ought to be able to name the Premiership poets. The shortlist extends to maybe 80, which I have in three divisions. 18 so far in the Premiership with a Women's league for the benefit of those who think that Women's poetry is a different field altogether (which I really can't see). I don't know whether to publish my eventual findings here and would welcome nominations. One finds oneself pondering whether Jo Shapcott is Premiership; is Glyn Maxwell top of the next division or whether Craig Raine is now Sheffield Wednesday. It's bound to be wrong but wrong in different ways to everyone who thinks so but it is based on a list I saw, compiled decades ago, by an academic who had counted up the lineage of coverage that poets had been allocated in critical journals and suchlike. Heaney was top and Hughes second. My list, if I ever summon the nerve to publish it, is nowhere near as scientific but is my attempt at judging what the world thinks, or those who have any inclination to be interested. It won't be my top 20. I could make that up any time you like. Surely there's more to enjoy about it than making league tables but I've never grown out of the boyish infatuation with a list, you see.
- Meanwhile, this house is patiently waiting for the arrival of the new Murakami. In some ways, I hope it never comes. Long books are daunting. I read the whole of The Gulag Archipelago, and all of Solzhenitsyn to date, in my teens. I sat in front of Middlemarch and tried to let it pass into me by some sort of osmosis one University summer and reached roughly page 1300 of Proust in my twenties until the bookmark stalled at the place it has remained ever since.
But, Murakami is the Nobel laureate in waiting, a worldwide cult I was trapped into by his easy way of making you think it's fine to crack open a casual beer, talk to a cat and apparently walk into a painting and find yourself involved in something you don't really understand. But if I don't review any more novels this year on here, you'll know why.

Sunday, 16 October 2011

The Lepidopterist's Wife

The Lepidopterist’s Wife

He’s up there every evening quietly
pinning his brightly-coloured specimens
to cardboard, their paper wings as fragile
as love, the life gone out of them, no more
than ornaments annotated with dates
on which he trapped them in his net, or where.

I sit beside a photograph of us
on our wedding day, me in my cabbage
white lace dress, ready to flutter around
his bleak, ominous light. I never thought
that it would come to this. I never thought
that I would be the one who would creep out

to meet the man next door who reeks of gin
and loss, who watches horse racing all day
on a wide screen, a penniless mischief
who gives away whatever it might be
that he might have- and some of it to me-
then lets me return back into the night.