Sunday's Observer reported a new 'poetry boom', a renaissance in the art marked by sell-out festivals, soaring sales and all kinds of mayhem and mania going on.
It is a story that is recycled every few years, usually coinciding with no new discovery about Shakespeare or other satisfyingly esoteric news to fill half a page with. If there's been no recent sighting of a beast on Bodmin Moor, nobody building a moon rocket in a garden shed or no teenage school student eloping with a teacher, then it must be time to wheel out the one about a new fashion for poetry.
It happened in the sixties with Adrian Mitchell, Ban the Bomb and the Liverpool Poets deciding that the likes of Edmund Spenser were too boring for them, and it's happened regularly since. The estimable John Cooper-Clarke could be forgiven if he has tired of being cited as in the vanguard but he probably won't if it keeps him in work.
What it means, of course, is performance poetry and this time it's Kate Tempest downgrading the art to an accessible level that abhors such deliberate difficulty as that espoused by Geoffrey Hill. It doesn't mean that suddenly, rather than pilates or model railways, some of non-campus lower middle class have taken to composing gently ironic sestinas or crafting syllabic sonnets to soothe away the anxieties of our difficult times. Would that it were, Mr. Ponsonby, would that it were.
So let's not be too alarmed. The disparate network of fuzzily overlapping societies, groups, magazines and readings is probably not going to be over-run by hordes of ranting doggerel-mongers full of pent-up anger and righteousness. They have always come and gone. Neither is it likely that any of our more eminent names, like Carol Ann Duffy, Simon Armitage or Andrew Motion, those three successive Poet Laureates in no particular order, are suddenly to become the sort of national figure that Tennyson was and we should all be grateful for that, including them.
No, it was no more than another recondite piece of journalism swindling readers of their time and money by providing them with some words to read on a Sunday. It is unlikely to cause any more waves than a few cosmopolitan types looking up from their coffee and thinking, wow, poetry, how marvellous.
David Green
- David Green (Books) is the imprint under which I published booklets of my own poems. The original allocation of ISBN numbers is used up now, though. The 'Collected Poems' are now available as a pdf. The website is now what it has become, often more about music than books and not so often about poems. It will be about whatever suggests itself.
Also currently appearing at
Tuesday, 28 March 2017
Thursday, 23 March 2017
Tuesday, 21 March 2017
Portsmouth Acrostic
The offices where I do the day job are being refurbished and a part of that process is a competition for artwork, including photography and poems, from those that attend there to adorn the walls.
I hadn't even noticed that, up to now, there is no such aesthetic feature in the whole building, only the dreariest of corporate messages and information.
Thus I thought I ought to contribute something to this well-intentioned initiative even though I reckon pictures are more suitable than words in the circumstances. Work submitted has to be on prescribed themes or of local interest. I'll be disappointed if my effort is judged not good enough but I'll understand if its themes of existential angst are not considered what they were looking for.
I hadn't even noticed that, up to now, there is no such aesthetic feature in the whole building, only the dreariest of corporate messages and information.
Thus I thought I ought to contribute something to this well-intentioned initiative even though I reckon pictures are more suitable than words in the circumstances. Work submitted has to be on prescribed themes or of local interest. I'll be disappointed if my effort is judged not good enough but I'll understand if its themes of existential angst are not considered what they were looking for.
Perhaps it was my fate to be brought here
Or a sequence of chances that lined up,
Returning me back time and time again
To where I was at home as refugee.
So, thirty-five years later, here I am,
Made native by belonging nowhere else,
Otherwise still a stranger to myself
Under the Guildhall clock or by the shore
The gunboats would depart from into mist,
History theirs to make, ours to pass by.
Saturday, 18 March 2017
Question Time
Question
Time
One
day, when they have sorted it all out,
they’ll
sit and chat and offer biscuits round
and
wonder why it took so long to reach
this
state of perfect equilibrium.
The
billionaire magnate will not listen
to
protests as he insists on paying
his
workforce over and above their needs
plus
a Christmas bonus and weekends off.
The
union leader who waves it away,
elegantly
complacent, with no trace
of
rancour or working class accent, says
if
there’s ever a need for his members
to
do overtime then they’ll gladly come
and
do it for nothing because they know
their
pensions will provide generously
for
their old age. And they both nod and smile.
The
fiery feminist lets the lewd old
comedian
who’s on as the token
celeb
call her ‘love’ without the slightest
rebuke
because it no longer matters
now
that not even golf clubs recognize
any
gender bias, although most women,
it
must be said, have better things to do
than
golf. So, what is the next question, please,
yes, over there,
the man in the blue shirt.
Which is the best
of Mozart’s symphonies?
Then,
what’s your favourite flavour of
ice-cream?
Which animal would
you be if you could?
Should T. Rex, Mud and
Abba be set texts?
Would it be better
if cartoons were real
and dogs could
talk and tell us what they think?
Should
Question Time be more like this or
not.
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