Wednesday, 11 November 2015

Oh Babe, What Would You Say

In Poetry Review a couple of issues ago, Tiffany Atkinson quoted Michael Longley saying that,
most good poetry is written by young people or old people.

Coming from one as wise and fine and good as Michael Longley one would expect it to be a wise and fine and good maxim. So I'm surprised to find that it is in direct contradiction of what I have thought for quite a long time, that most good poetry is not.
We need to set arbitrary parameters on what is meant by 'young' and 'old', which might not be the same as those that Longley had in mind. But I think it is uncontroversial to say that young is under 30 and once beyond 60 one is getting old, however much it might be said that by now 60 is the new 40.
And, of course, there will be outlying examples of poets who are those 'exceptions that prove the rule' which is by no means a rule but a generalization. Keats is a fine poet but he died aged 25; there will be plenty of examples of good poetry written by septuagenarians but Titian lived into his tenth decade still applying gorgeous blue to canvas.
Most poets will have published something of worth, set out their stall and might have made themselves some reputation by the age of 30 but any artist worthy of the name will develop from those starting points and do something better. The only other options are to continue in a similar vein or immediately decline apparently, in the Longley quote, having to wait until old age before they are worth reading again.
But it takes one of special ingenuity or continual refreshment of ideas to write into venerable senior citizenship without becoming repetitive, losing some impetus or, in some very respectable cases, finding that the will to write has left them and they'd rather not write than write anything sub-standard.
Readers of Jonathan Bate's book on Ted Hughes will appreciate the impact of the early poems of Hughes, which was arguably not sustained in later books but for every such example there are more whose careers show a deepening, widening compass of experience and technique as they mature. The compacted time scales of The Beatles' oeuvre illustrates a fine start, a brilliant middle period and a final lapse into self-indulgence. Some might say the same about Shakespeare. It is almost beyond reasonable doubt that my two favourite poets, Thom Gunn and Philip Larkin, published some very competent juvenilia, then became greater and realized for themselves when they had done enough and it wasn't happening for them any more. I have even heard it suggested, almost sacrilegiously, that Seamus Heaney became repetitive and, yes, he did consciously revisit old ground without writing anything less than good poetry.
So, I reluctantly take the opposite point of view to that attributed to Michael Longley and only wonder if somehow it was taken out of context because, for me, most good poetry is written by people who are no longer young but are not yet old.
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But in a similarly dissenting mood, I have been amused by recent revelations in the world of sport which, for these purposes began with a long distance runner in our office commenting on a television documentary on Lance Armstrong and how cycling lacked all credibility, how could you ever trust it, etc, etc. Well, no, quite.
But it wasn't me who went back to him only a few days later when all the new brouhaha over performance enhancing drugs in Athletics kicked off. Ah ha, Mr. Marathon Runner, so it's not just the cyclists then, is it. It's your sport, too.
And it was never as if you needed to be a satirist of the calibre of Ben Jonson to appreciate the story of Ben Johnson and all the ambition and human frailty that leads an athlete into that dark nether world of chemistry, needles, masking agents and lax testing.
As soon as money is involved there are going to be those with nefarious plans to gain an unfair advantage. I think it was probably Lance Armstrong's lawyer rather than Lance himself who came up with the argument that cheating was defined as 'gaining an unfair advantage' and since everybody was at it, what he did was not unfair.
I am planning to fill the customary new year drought of things to write about here with a new series entitled (something like) My Life in Sport, with features on football, cricket, cycling, running, chess and all, where
the glory of it was that it was all amateur and I wasn't good enough at any of them to make it worth cheating.
But one of the most profound laughs I've had in the last twelve months was in the fallout from the Sepp Blatter, Qatar World Cup and all such saga when it came to light that there was such a thing as the FIFA Ethics Committee. Oh, Come On.
Which comedian was it that said he felt like giving up on satire when Henry Kissinger was awarded the Nobel Peace Prize.
But that is the world and what it's like. It's surprising that we can still be surprised about it. But while Athletics sadly sinks deeper into moral torment, let us not hear from those who plod round the London marathon so heroically in half a day cast aspersions on the bike riders.
217.888 miles in 12 Hours in 1995, thank you very much. Done with plentiful supplies of bananas, water, flapjack and, admittedly, drinks designed to help ride a bike a long way as sold in Boots. And I'm always grateful for an excuse to present this old photo again.